Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Friday, 1 March 2019

When someone you like does something you don't - or vice versa.

I'm reading a highly entertaining book at the moment called 'The Book of Bad Virtues'. It's a collection of anecdotes, poems, and mini-essays extolling the, well, virtues, of disobedience, greed, slacking and so on. It's a book that can be dipped into, or read cover to cover, and is good for reading short extracts out loud.

It's also very clever.

I was so struck by the intellectual humour that I googled the author. His pedigree is strong, starting off in the Cambridge Footlights, being an early writer for Spitting Image, and then departing to the US where he continued to write, act and produce.

But his career seems to have ground to a halt more recently, round about the time an allegation was printed in a major US newspaper regarding sexual impropriety and one of his children.

If the allegations are true, then he has a very seamy side. He would not be the kind of person that one would want to support, and I'm a tiny bit relieved that the book was passed on to me for free and that no further money went in the author's direction.

But in the light of other stories about, for example, Ryan Adams and fans wanting refunds on their tickets (and today it was announced that he has scrapped his UK tour) following unsavoury rumours in the press, it is something that is very relevant.

It can be very difficult to separate out a person's skill from their personal behaviour. We have enough difficulty distinguishing between actors and the characters they play, or their public persona from their private selves, so that is hardly surprising.

But does it matter? If someone has a history of being, say, a sex offender, should we support their artistic endeavours, thus putting money in their pockets? If only the accused were involved, it would be an easier decision. But that is not always the case, and therein lies a problem.

There is a boycott being proposed in the theatre world in the US over the licensing of differing versions of 'To Kill a Mockingbird', in which the lawyers of a more recent one have forced the closure of a number of community theatre productions rather than face legal action. Who is harmed by such a boycott? Certainly, the name at the centre of the legal controversy is harmed, but so too are the employees of the Broadway theatre, the cast of the play, and a whole load of other people associated with the production but completely uninvolved in the threatened lawsuits.

At what point does our moral outrage at the behaviour of one individual outweigh the need to support the livelihoods of totally different people? And all this, of course, assumes that the one individual is in fact guilty of whatever the behaviour is that has caused such offence. A potentially big assumption....

Wednesday, 24 June 2015

Support Your Local Arts Groups!

There's a lot in the press generally about supporting local businesses - and quite rightly too - and they even have their own 'day'. But there is nothing specific that I am aware of about supporting local arts groups.

I enjoy going to the theatre and often go to London, to the National Theatre or the West End, and it is a great pleasure to see such skilled performers giving their all. But it is hard to make a living as an actor and there are many who can't afford to restrict themselves to such august venues, holding down 'day jobs' in many cases to pay the bills. And that doesn't even begin to count all the amateur groups who rehearse for weeks and sometimes months on end to provide entertainment for those who don't want, or can't afford, to go to London.

Bicester doesn't have a theatre (yet, she says optimistically) so for professional theatre, we have to go further afield - but we do at least have a choice of Oxford or Aylesbury, or, if you're prepared to trek a little longer, Milton Keynes, Northampton and of course Stratford-upon-Avon. It may be a drive, but there is plenty to choose from - and that's just theatre.

But there are local groups too. Launton Village Players are lucky enough to perform sometimes to a packed audience; their annual pantomime is a highlight for many in the dark days of the February half-term break, but they also perform a Summer Show in July, and there is an Autumn Play at the end of October - and although the venue for these is quite full, it's rarely sold out - and it's only a small venue. They could make much more for the charities they support if more people went to see what they provide. Bicester Choral and Operatic Society put on Gilbert and Sullivan's Iolanthe over the recent half-term, to great critical acclaim, yet achieved less than half the audience it could have done (I confess to a vested interest here as assistant director, but it really was an excellent production and all those who came really enjoyed it). A concert by Akeman Voices as part of the Deddington Music Festival was excellent, beautiful music, singing and poems, yet the church was less than half full. This is just a small selection of the opportunities locally.

As a performer, it is disheartening in the extreme to look out into the audience and see only a handful of people. As part of the organisation of BCOS, I can tell you it is not only disheartening but extremely expensive when so few people make the effort to see what's on offer.

And is it really such an effort? I've been to numerous things over the years to support friends who are taking part or organising something, usually for charity. It's not that expensive, especially as I don't need to pay train-fare to get there. And I have always taken something good out of it. Maybe I haven't always enjoyed the whole thing, but *that doesn't matter*. My friends' months of rehearsal have been rewarded by having someone show up to appreciate them and their effort. And I've done something to deter my evolution into a couch potato.

A few years ago, Dillie Keane, of Fascinating Aida, who lives around here somewhere, wrote in The Stage that this area was a cultural desert. Clearly it isn't at the moment, but unless we support our local arts groups, they may not survive to entertain us for much longer. Then it will become a desert.